At Venice 2026, an AI filmmaker admitted being asked to use AI on a cash-strapped Hollywood film - sworn to secrecy. The gap between the public stance and the private practice.

A fully AI-generated 'actor' has landed a real film role. What the synthetic-performer vs digital-replica distinction actually tests - and the provenance question underneath.

The sharpest AI fight in film isn't about generated video - it's about who owns a face. Studios want to capture a likeness once and use it forever.

At Cannes 2026 the question shifted from whether AI belongs on set to who builds the tools - and whose priorities the toolchain quietly encodes.

A global split is hardening - Hollywood containing AI to protect creators, Asia racing to industrialise it. Where a graphics-and-props practitioner sits in between.

Στο 83ο Φεστιβάλ Βενετίας η Ελλάδα ήταν Country of Honour, με το ΕΚΚΟΜΕΔ να προωθεί το πλάνο των €750εκ. και το 40% cash rebate. Τι σημαίνει έμπρακτα για το art department.

Η μετρημένη συνέχεια: επαγγελματίες κατήγγειλαν καθυστερήσεις πληρωμών και γραφειοκρατία μετά την αναδιάρθρωση του ΕΚΚΟΜΕΔ. Τι σημαίνει παρακάτω στην αλυσίδα.

Why I built Chronotype - browser-based studios for making fictional newspapers, labels, packaging and paperwork that hold up on camera, in English, Greek and German.

A McKinsey-backed read on AI in film: the real changes are in breakdowns, dailies and localisation - the stages around the shoot, not the set.

Νέα μελέτη ΕΚΚΟΜΕΔ: 188 διεθνείς παραγωγές από το 2019, ~€270εκ. rebate, ~€480εκ. ιδιωτική δαπάνη - και άμεση σύνδεση με τον τουρισμό.

Follow-up στο άρθρο για τον Ο.Δ.Τ.: το ΕΚΚΟΜΕΔ ανοίγει πρόγραμμα €1,25εκ. για προώθηση, διανομή και αίθουσες - η πρόβλεψη που έλειπε.

Στην Εφημερίδα της Κυβερνήσεως οι ρυθμίσεις για την εφαρμογή του Εθνικού Σχεδίου Δράσης για τον Ο.Δ.Τ. - το θεσμικό σκέλος του πενταετούς προγράμματος «Greece on Screen».

Google is putting a reported $75m into a research partnership with A24 to build AI tools for filmmakers. The interesting part isn't the headline - it's what a workflow deal like this shifts a few steps downstream, where the graphics and props get made.

The incentive everyone talks about is real - but the things that quietly decide whether a Greek shoot runs smoothly are mostly the ones nobody mentions until they bite.

Phones, laptops and TVs are everywhere on screen now - and every one of them is a clearance question. Deciding what's real, fictional or live belongs in prep, not in post.

Print-ready isn't the same as printed. A short tour of the lead times, stock decisions and seasonal quirks that decide whether a hero document makes it to set on time.